[et_pb_section fb_built=”1″ _builder_version=”3.22″][et_pb_row column_structure=”2_3,1_3″ use_custom_gutter=”on” gutter_width=”2″ module_class=”sezProdotti ” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”18px|||”][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_gallery gallery_ids=”2831″ fullwidth=”on” admin_label=”gallery x 1″ _builder_version=”4.3.4″][\/et_pb_gallery][et_pb_text module_class=”descrizioneProgetto” _builder_version=”4.3.4″ hover_enabled=”0″ z_index_tablet=”500″]Myriam Kuehne Rauner, Lost Vanity, 2020<\/b><\/p>\n
SCULPTURE
\n150 x 81 x 31 cm
\nblown Glass, 3D print, glass with tiffany technique, crafted brass, resin loaded brass, sand
\nAND VIDEO PERFORMANCE
\nvideo, color, sound, duration 1.30 min (Videomaker Lara Peviani)<\/p>\n
Is an image a representation of one\u2019s own self or only a hiding behind a mask?\u00a0Modern man in the center of the Cosmos and in continuous\u00a0 virtual connection, is incessantly recalled to show himself. The reward is a heart that deceives as it seems like gold but it is not smooth.Kneeling on it, you can experience yourself only in part. Myriam Kuehne Rauner approaches the conflict between\u00a0 appearance and vanity using an experiential path.\u00a0 She displays the various stages of experience through the materials and their specific characteristics like transparency, reflection, fragility, the colours such as gold, white, purple, the alternation between soft and edged shapes,
\nthe symbolism of the referred objects and with motions and actions in her performance.[\/et_pb_text][et_pb_text admin_label=”video” _builder_version=”4.3.4″ hover_enabled=”0″ module_alignment=”left”]<\/p>\n